![]() ![]() To that end, Blackmagic Design might have to rethink its lens strategy for future models. However, that situation is quickly changing, as Canon recently discontinued a large number of EF lenses. ![]() I thought that was a good thing when I reviewed the original model, noting that EF glass was more mainstream than RF-mount or other mirrorless lenses. Like the last model, the BMPCC 6K Pro uses Canon EF lenses. With a dual ISO sensor (with native settings at ISO 400 and ISO 3200), it also offers decent low-light performance, comparable to APS-C cameras like Sony’s A6600. In my review, I found that the Super 35mm sensor (23.10 mm x 12.99 mm) delivered a cinematic image with excellent dynamic range, particularly when capturing 12-bit RAW with Blackmagic’s log settings. I’ve had a chance to use the camera for a time, and here’s how I made out.įirst off, a quick recap of the BMPCC 6K. ![]() However, it has a number of important new features that make it more suitable for professional cinema shoots, including built-in ND filters, an optional EVF, a brighter display more suitable for viewing HDR footage, a tilt screen and more. The BMPCC 6K Pro uses the same sensor as the last version, so picture quality is identical. Now, the company has launched an updated version called the Pocket Cinema Camera 6K Pro (BMPCC 6K Pro) for $2,495 with a number of important new features. For $1,995, Blackmagic Design’s Pocket Cinema Camera 6K (BMPCC 6K) was a shockingly good cinema camera that nearly rivaled products costing multiple times the price. ![]()
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